Good People of vitruta: Ecem Dalmaz
Ecem Naz Dalmaz, the newest member of Good People of vitruta! We first met Ecem through one of vitruta's projects, and she even toured our Pera store when it was still under construction. Since then, we've been meeting up frequently, spending time together, and having delightful conversations. This week, we came together for Good People of vitruta, had a great photoshoot, and finally completed the interview we’d been planning to do for a long time. Hope you enjoy reading!
Ecem, welcome to Good People of vitruta! Let’s kick things off with our classic question: Who is Ecem Naz Dalmaz? How did it all begin, where is it going, and what are you currently up to?
I’m a multidisciplinary artist. I started by exploring my unique figures on paper, then transitioned to working on canvases and fabrics. Since I love experimenting and researching, I recently began using the hand-tufting technique to create my works. I discovered the tufting machine two years ago, which led me through a phase of trial and mastery. Now, I primarily use it in my work, though painting will always hold a special place for me.
What inspires you when creating your paintings?
I often draw inspiration from my nightmares and observed traumas. When my nightmares feel real, I merge human and animal forms, reflecting the emotional states and triggers I observe in people, including myself. It sounds a bit dark, even sadistic, but that’s how it is for me.
One of the ventures you’ve also created based on your identity as a painter is Whoknowstudio. Would you like to share that journey with us?
Of course! I met the tufting machine two years ago and fell in love with it. It may seem easy from the outside, but it’s actually a technique with a lot of detail. At first, I didn’t separate it from my own name, but then it evolved into a more versatile production, and as I became more curious, it kept growing. Later, I discovered that Yıldızlux, the first brand in Turkey to use this technique for years, was also involved, and I got to meet them. Eda Anjel is the one who started this journey for me. :) I learned a lot from them, and then, while staying true to my own style, I founded whoknowstudio. Now, we work on project-based, customized pieces for individuals and spaces, and we release mini collections.
By the way, one of the pieces from whoknowstudio has found its place in vitruta’s Pera store. And actually, this won’t be the only intersection between you and vitruta. :)
Yes! :) In September, we have a solo exhibition project with vitruta. I’m curious to see how it will turn out, and I’m especially excited to collaborate with an organization like vitruta, which embraces and supports all forms of art.
What can we expect from this exhibition? Can you give us a few hints?
I have to be very careful when answering this. :) I’m thinking of a show where I’ll spatially curate my previous works alongside new pieces created using the handtufted technique. Another hint: the exhibition might involve a confrontation with the emotions we keep hidden from ourselves.
And, would you like to share five artists you admire and would recommend us to check out?
First and foremost, although it might take years to fully explore, Hieronymus Bosch. Additionally, I would recommend these artists: Astrid Terrazas, Emma Larsson, Cecilia Fiona, and George Rouy.
Let’s move on to another area where your path crosses with vitruta. How do you typically prefer to dress? How do you build your wardrobe?
My wardrobe is full of contrasts. :) I usually dress according to my mood of the day. Still, I prefer to be stylish and comfortable. I’ve never been someone who dresses too casually.
Lastly, can you share your top 3 favorite brands from vitruta?
Less, Lar Studio, and Vatka Co.